Andrea Cremonini
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Sound Recordist
Television |
A Single Needle Joey Carey / Sundial Pictures |
|
2018 |
Sound Recordist
Commercials & Industrials |
Atelier Romy campaign Regan Hall / Progression Media |
|
2018 |
Sound Recordist
Commercials & Industrials |
TotalJobs-Changes Dean Moore / Left Productions |
|
2018 |
Sound Recordist
Video |
DJ Lag / Drumming Chris Saunders / Believe Media |
|
2018 |
Production Sound Mixer
Film |
Living With Honor Karen Anstee / Precious Hack Productions |
|
2018 |
Sound Recordist
Video |
Ivan Panella & TheBeanZ / Moving On Indie |
|
2018 |
Sound Recordist
Video |
Jam Experiment / Highbury Sessions #1: In The Bin Indie |
|
2018 |
Production Sound Mixer
Film |
Russel and Gemma Duncan Roe / Indipendent |
|
2018 |
Sound Recordist
Film |
Who's that at the back of the bus? Phil Hardy / Art Omnivores LTD. |
|
2018 |
Production Sound Mixer - UK Unit
Film |
BE HAPPY! Ventura Pons / Els Films De La Rambla |
|
2018 |
1st Assistant Sound
Film |
Hymn of Hate Matt Kennard / Mini Productions |
|
2018 |
Sound Recordist
Commercials & Industrials |
Just Cause: Dev Diary / Making Of with Directors Duo - Square Enix Jonathan Nicol / Other Finger Films Ltd. |
|
2018 |
Sound Recordist
Film |
Silent Sam BROCK NEAL ROBERTS / Pretzel Films |
|
2018 |
Sound Recordist
Commercials & Industrials |
House of Pharaohs: The Up-And-Coming London Rap Collective You Need to Know Jonas Vahl / Highsnobiety |
|
2017 |
Sound Recordist
Film |
Isle of Dogs Pierre Emmanuel Leo |
|
2017 |
Sound Recordist
Film |
Famished Gagan Singh / Bright West Pictures |
|
2017 |
Boom Operator
Film |
The Innocent Subhro Das / The Innocent |
|
2017 |
1st Assistant Sound
Film |
Mad Bob Michael Wilson / Clarendon Work Films Ltd. |
|
2017 |
Sound Recordist
Commercials & Industrials |
The Addict Andy Levada / The Addict |
|
2017 |
Sound Recordist
Film |
The King of the Kitchen Hugo Cavalier / The King of the Kitchen |
|
2017 |
Sound Recordist
Film |
The Wonders Roberto Palattella / The Wonders |
|
2017 |
Sound Recordist
Film |
Muse Ella Robertson / Muse |
|
2017 |
Sound Recordist
Film |
Saving Fangio Gianluca Barra / Bright West Pictures |
|
2017 |
Production Sound Mixer
Television |
Above The Fold Jessica O'Sullivan / MET Film School |
|
2017 |
1st Assistant Sound
Film |
Pitfall Ben Desmond / Pitfall, Production |
|
2017 |
Sound Recordist
Film |
Prince Jodie Jed Camara / Lucky Run Productions |
|
2017 |
1st Assistant Sound
Event |
It's All Lies Mark Bowsher / Rabbit Island Productions |
|
2017 |
Sound Recordist
Event |
Nightwatchman Alasdair J. MacKay / Wolfpack Productions |
|
2017 |
1st Assistant Sound
Film |
Outsider Alessandro Ugo / Focal Rhythm |
|
2017 |
Sound Recordist, Dialogue Editor, Sound Mixer, Sound Post Production
Film |
Battle Of Soho Aro Korol / The Aro Korol Company LTD |
Education
Year | Qualification | Where |
---|---|---|
2016 | Audio and Music Production | SAE Institute |
Equipment
My Equipment/Kit: Audio LTD 2040, Clapperboard, DPA 4061, Sanken COS11, sennheiser 416 shotgun, Sennheiser g3, Sennheiser MKH50 P48, Timecode box, Zoom F8 8 tracks Field Recorder and Mixer
I can use: Sennheiser G3, Clapperboard, Sanken Cos11, Sennheiser 416 Shotgun, Sennheiser Mkh50 P48, Audio Ltd 2040, Dpa 4061, Timecode Box, Zoom F8 8 Tracks Field Recorder And Mixer
About me
I am a freelance live sound engineer and sound recordist. I love changing location and working with new people all the time, and I always work with a proactive attitude and looking for the next step of improvement. I work with different departments when necessary, not only seeing that as a way to get the show going, but also as a learning opportunity.Referees:
Available on request
Additional information:
Extensive experience with analogue and digital consoles (Yamaha, DiGiCo, Allen and Heath, Midas, and more) Running sound at live events with full bands in small and medium venues and corporate events
Setting up of audio, light and video equipment adapting to the location
Recording on location for live music, music production and sound for film
Deep understanding of microphones and other audio equipment Great ability of pre-show organisation, stage managing
OCD for cable tidiness
Studio recording and mixing. Pro Tools, Reaper, Logic Pro Basic lighting and DMX experience
Soldering skills
Great IT knowledge
Ability to perform a general stage and studio set-up to electric guitar and bass. Ability to play guitar and read music notation AES and BECTU member
B and A2 EU driving licenses
Theatre professional:
I am a freelance live sound engineer and sound recordist. I love changing location and working with new people all the time, and I always work with a proactive attitude and looking for the next step of improvement. I work with different departments when necessary, not only seeing that as a way to get the show going, but also as a learning opportunity.
Additional skills:
Extensive experience with analogue and digital consoles (Yamaha, DiGiCo, Allen and Heath, Midas, and more)
Running sound at live events with full bands in small and medium venues and corporate events
Setting up of audio, light and video equipment adapting to the location
Recording on location for live music, music production and sound for film
Great ability of pre-show organisation, stage managing
OCD for cable tidiness
Studio recording and mixing
Pro Tools, Reaper, Logic Pro
Basic lighting and DMX experience
Soldering skills
Great IT knowledge
Ability to perform a general stage and studio set-up to electric guitar and bass. Ability to play guitar and read music notation
AES member
B and A2 EU driving licenses
Referees:
Available on request
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Sound Engineer |
---|---|
Job Titles | Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant |
Years in industry | 1 to 3 years |